It’s impossible for twenty images to distill what happened in any year, but especially this one. We’ve experienced tragedy and revolution, chaos and quiet often all in the span of a single day.
While this year has certainly been challenging, I have felt immense personal growth as a photographer and business owner. In 2020 I worked for commercial clients and daily papers. I shot more rolls of film than in any other year. I had the time and the creative inspiration to shoot and edit important bodies of personal work.
I have so much to be grateful for.
I’m incredibly grateful for everyone who chose to hang one of my images on their wall this year, the photo editors, creative directors, and producers who have taken virtual meetings and hired me, and for the people who have graciously allowed me to capture their stories.
I’m proud of the diversity of work that I created this year. And while the various projects I was a part of have varying looks and feels, I felt my photographic voice grow stronger than ever. Ultimately, my work is about telling stories. I find it so exciting to see my commercial work, journalism work, and personal work take on an increasingly similar style.
I look forward to sharing what 2021 has in store. But for the time being, I want to reflect on the monumental year that 2020 has been. Take your time going through the twenty images that I chose to represent this year. You can click on the images to enlarge them.
These images were a part of a zine I made to say thank you to my friends and former coworkers at Suerte, an amazing restaurant in Austin.
Take a look a the full zine here. I’m looking forward to printing more work in 2021 and have some exciting book projects in the works.
Indeed approached me to create a visual case study of a business that uses their platform for hiring. Barkin’ Creek was a perfect partner because of their multifaceted business model and engaged owners. Check out the rest of the images here.
I was thrilled to be able to apply my photojournalistic approach to my commercial work this year.
My brother Ruben, his girlfriend Jenna, and I collaborated to create a body of fashion photography work that served as an exploration of memory and my connection with San Francisco. The full body of work can be seen here.
Photographing the protests in Austin that took place following the murder of George Floyd allowed me to connect with the city that has become my home. Shooting for myself as opposed to for a publication allowed me to showcase the protests the way I was experiencing them instead of thinking about how a publication would want them represented.
Vic and Al’s gumbo-mobile was a surprise that I needed to learn more about. Read the full story I shot and wrote here.